The word versus means one thing pitched against another. To be versus versus, therefore, is a paradox, but paradox can be helpful – it can open a space for deeper thought. This anthology aims to be such a space. It brings together one hundred deaf, disabled and neurodivergent poets from across the international arena, from emerging voices to world-renowned authors, and offers an urgent redress, unpicking many misapprehensions and misrepresentations.

The reader will encounter poems of love and pain, self-care and companionship; poems which challenge cultural, medical and political agendas and policies. There are war poems, poems as acts of witness and solidarity, poems which address the impacts of the climate emergency. There are humorous poems, nature poems, and much more.

The selection also draws together poetry in a wide variety of styles and forms, and from different traditions, such as haiku, renga, sonnet, villanelle, prose poem, performance poem, and sign language.

Building on the work of decades of disability justice advocacy, Versus Versus offers a poetry of assertiveness and immense vitality.

Rachael Boast is a British writer, editor and disability advocate, navigating Ichthyosis and related conditions. She has published four collections of poetry with Picador, Sidereal (2011), Pilgrim’s Flower (2013), Void Studies (2016) and Hotel Raphael (2021). Her poems have been anthologised in Stairs and Whispers: D/deaf and Disabled Poets Write Back (Nine Arches, 2017), Staying Human (Bloodaxe Books, 2020) and 100 Poems to Save the Earth (Seren, 2021).

This anthology was prepared with the help of an Advocacy and Advisory Panel: grateful thanks to Karthika NaÃ¯r, Chisom Okafor and Daniel Sluman. Many thanks to the Royal Society of Literature and to the judges of the 2023 Literature Matters Awards for selecting this anthology as one of the winning entries.

Cover image description: The book’s cover features a square-shaped artwork by Polish artist, Julian Stanczak, entitled ‘Concurrent Colors’. The painting creates an optical illusion of vertical moving curved lines in red and blue, giving the impression of moving waves or sand dunes. At the edges of the painting the lines thin out so that they resemble a comb effect. The painting has a darker blue framing band around it, filling the extent of the cover.Â The title of the anthology ‘VERSUS VERSUS’ is in a large red font at the top of the cover, and the subtitle, ‘100 POEMS BY DEAF, DISABLED & NEURODIVERGENT POETS’, is in a large blue font underneath the square painting. The editor’s name, Rachael Boast, is in a smaller red font beneath the subtitle.

Versus Versus

Passport to Here and There

The Insomnia Poems

I Have Crossed an Ocean

Picasso, I Want My Face Back